Ghost messengers
A popular genre of literature from the early Renaissance
to the early twentieth century was the Dialogues of the Dead. These
were based upon the Witch of Endor story and the visions of Hades
found in both Homer's Odyssey and Virgil's Aeneid.
In Odyssey, Odysseus travels to Hades and sees the shades of his
former colleagues, including some he did not know were dead, and
pours out fresh blood, which the dead hunger for, until he can find
Tiresias and get guidance on his voyages. In the Dialogues of the
Dead genre, authors would somehow contrive a device for summoning
the dead to a character who would then speak with them and ask them
questions about philosophy or current events. These "ghosts"
were under control of a great sorcerer or otherwise compelled to
speak. The genre was most popular in the 18th century, and examples
were written by many. Jonathan Swift satirized the genre in the
third book of Gulliver's Travels by having Gulliver summon the ghosts
of former kings and great conquerors and finding, instead of nobility,
petty, childish, and stupid people who possessed no wisdom and who
accomplished their great deeds for mean and selfish reasons. Further,
he finds that the ancestors of many great lords and ladies of his
day were stable boys, servants, etc.
In each of these cases, the fictional ghost offers counsel to the
living and thus acts as a messenger from the implicitly greater
world beyond. However, the ghost messenger can also act as a way
reminiscent of the guardian angel in fiction. In some fictions,
a departed relative (usually) or friend guides the living to either
a moral or material benefit. Such ghosts can either act as a deus
ex machina by resolving plot points with supernatural power or as
a mentor who offers sagacity to the characters with a limited point
of view.
Finally, the ghost messenger features in fiction as a ghost in
disguise. A character otherwise regarded as living turns out, in
the fiction's denouement, to be a supernatural agent. In folk music,
there are songs featuring lovers and objects of affection who must
leave before dawn (a variant on the Cupid and Psyche story) because
they are ghosts. Additionally, some urban legends, such as the "Hitchhiking
ghost," turn upon an anonymous stranger (or Elvis Presley in
a common variant) who is revealed to be a ghost in the clinch of
the story. Such a ghost in disguise usually, in fiction, offers
statements or visions that are relevant to the plot, but not in
a way comprehensible to the characters. Such gnomic or oracular
statements reward the reader with knowledge greater than the fiction's
participants.
Ghost stories
The malign ghost whose intent is either to set right an injustice
or to be avenged upon the living, either in general or on a specific
person, features in many fictions. In the Elizabethan and Jacobean
stage, the vengeful ghost is a commonplace who sets plots in motion.
However, the haunting and mystery/adversarial acts of the ghost
appears later in the "ghost story." Hauntings feature
in Eyrbyggja Saga for a section of the work, but the "Gothic
novel" and later "Gothic fiction" introduced the
use of ghosts for fear to literature. Horace Walpole's 1764 The
Castle of Otranto was among the first to set up the rational but
malign actions of a ghost to create an atmosphere of foreboding,
mystery, and fear. After Edgar Allan Poe, the "ghost story"
began an independent generic history, and today the genre of Horror
continues the use of ghosts as villains in fiction.
Other uses of ghosts in fiction
In many stories, ghosts are often depicted as haunting the living
until a certain desire is met or some grievance was settled by the
haunted.
In the fiction Harry Potter, there are
a number of ghosts including Nearly Headless
Nick, The Bloody Baron, The
Fat Friar and the Grey Lady, who
might be based on Lady Jane Grey. Ghosts in the novel are also keen
on having a Deathday Party on the anniversaries of their deaths.
In Shakespeare's play Hamlet, a ghost taking the form of Hamlet's
recently deceased father appears to Prince Hamlet one night. The
ghost says that he was in fact murdered by his brother Claudius,
who now (by virtue of having married Hamlet's mother Gertrude) occupies
the throne. The ghost exhorts Hamlet to take revenge on Claudius.
When Hamlet sees the ghost, he is not sure if it is in fact his
father's spirit or a demon whose aim is to deceive him. Julius
Caesar's ghost appears to Brutus in Shakespeare's Julius
Caesar to warn Brutus of his impending defeat. In Shakespeare's
Macbeth, the title character believes he sees the "blood-bolter'd"
ghost of his former friend Banquo sitting in his chair during a
feast.
There are ghost superheroes who fight for justice, such as DC Comics'
The Spectre and Deadman, as well as Nickelodeon's
Danny Phantom.
In the film The Sixth Sense, actor Bruce Willis plays a child psychologist
working with a young boy (Haley Joel Osment) who believes he can
see the spirits of the dead among the living.
In the Ghostbusters film and television
cartoon, the protagonists use special technology of their own design
to hunt and capture/exile the ghosts they encounter.
In Ghost in the Shell, ghost is a word
used to describe a person's inner being, similar to the concept
of a soul.
In the controversial BBC film Ghostwatch,
a ghost invades the world of the living.
Other famous ghosts in fiction include the Headless
Horseman, who appears in Washington Irving's The Legend of
Sleepy Hollow. Tom Sawyer and Huckleberry Finn visit a haunted house
in Mark Twain's The Adventures of Tom Sawyer. Algernon Blackwood
was a British writer who is well known for writing ghost stories.
Other authors in the field include Oscar Wilde (The Canterville
Ghost, 1887), M. R. James, J. Sheridan Le Fanu, H. R. Wakefield,
and E. F. Benson.
In the science fiction book The Restaurant at the End of the Universe
by Douglas Adams, one of the main characters, Zaphod Beeblebrox,
holds a seance to summon the ghost of his great-great-grandfather
to save their ship from being blown up. Also, Dirk Gently's Holistic
Detective Agency, another book by Douglas Adams, included a subplot
about possesion by the ghost of a recently deceased software tycoon.
Theatre productions sometimes feature ghosts. One way to make the
phantom appear on stage is Pepper's ghost technique.
In Asia horror cinema, the ghost stories often include adaptations
of old oriental folklore set in a present day city. The recent Japanese
movie The Ring and the Hong Kong movie
The Eye are both inspired by old wives
tales about haunting spirits.
WWE features two wrestlers, who portray men that have died and
come back from the dead several times. They are The Undertaker and
Kane. Despite their unrealistic and outlandish nature, these gimmicks
are very popular and have led to many championship runs for both
men.
|